Pictish Shields

I really wanted some eye-catching designs for some of the shields for my Pictish cavalry. Not for every figure, but at least enough to make these troops look a bit more exclusive than the rabble on foot.

There are of course two obvious ways to do this:
1 Hand-paint them;
2 Take your money to the nice man at Little Big Men Studios.

Now I'm willing to have a go at number 1. I mean, I hand painted the flags for my Anglo-Saxon and ECW projects! But having tried it I have struggled to get a nice, clean design on the small (9mm) Pictish cavalry shields. So, on to the second option.

There are two issues with using LBMS for this application. The first, and perhaps the most obvious, is that their range doesn't include any 28mm Pictish shield decals suitable for this size. I looked around at the various 15mm designs, but none were quite right, and Steve Hales at LBMS were kind enough to inform me before I handed over my money that the quite deeply convex shape of the shields I have might not work terribly well with their decals. I thought this was very decent of him!

Which left a dilemma. So, after due consideration, I made my own.

My experience of using various image manipulating software to make banners etc has been variable. Some have worked quite well, others far less so. Some of it might be the limitations of my entry-level Kodak inkjet, and some the limitations of the bloke using it, but some, I discovered, was more fundamental.

I had been cheerfully using PhotoShop to cut, paste, shrink and recolour images. The problem with this is that PhotoShop (and others!) use bitmap based formats. And as you shrink or expand images, the bitmap definition disappears... Armed with this information, I downloaded a copy of Inkscape  (it's free), which is a vector-based graphics package, and started playing with it. I'll put my hands up and say that I found it quite difficult, but then, other than some time doing digital microscopy, I've spent my working life NOT doing image manipulation!

The big deal is, using Inkscape you can import bitmap images, and convert them to vector graphics that are (essentially) immune to losses in definition from re-scaling. Using my own hand-drawn images I scanned plus free content from the web, and background shield disks created in PhotoShop using the airbrush function, I made up a series of designs. Along with some inkjet decal paper, courtesy of Ebay, I was in business. Just remember one thing: inkjets don't (generally) print white - they use the background colour of the (white) paper! So, if you want a white, or off-white design, go with white decal paper.

So, via the magic of Inkscape, you can get from these:

To these, fairly easily. Ironically, saving them as a jpeg to put on here kills the resolution created in the vector package!

Shields designs...

 A bit more jiggery pokery gets you to this little lot! You can tape the decal paper to normal printer paper to feed it through, and so use small pieces. The upper set are printed to check everything seems to work, and the lower piece is the actual decal sheet.

The offending items - actual decals!

And here, again, in situ.

Pictish cavalry, with decorated shields

Personally I wouldn't describe it as easy, but to someone move savvy with image manipulation (i.e. most people!), it's probably a doddle. I managed to ruin one decal applying it, so had to scrape it off, print a fresh one and start again. On shields as curved as this, in days of old I would have gone with the MicroSet / MicroSol approach as used on model aircraft. However, I'm not sure that it wouldn't simply eat my decals if I did! A little trimming with a scalpel saved the day, though.

Even in close-up, I think they look OK. See what you think.

If you can read my shield, you are much too close...

The materials were under five pounds for two A4 sheets of decal paper so the cost per shield is almost incalculably small (you can get well over 250 decals this size from a single sheet). At the end of the day, I doubt this will scare LBMS, as they really do have the quality nailed down tight. But, the results here are all your own, and regardless of the price, there's a heck of a value in that. Oh, one further word of caution. I've found the whole process strangely enthralling. There have been a few times when I've started doing this (I have other examples now!), then looked up and found an hour or two has passed without me even noticing!

Merry Meet!

Children of the Circle

Picts, preparing to make somebody's life very, very unpleasant.

Pencils on black pastel paper.

Enjoy!

More Artwork

At long last, some actual progress!

I've been working on these for a little while as part of my Anglo-Saxon command and characters. These are banners for three of the old Saxon kingdoms / earldoms.

At the outset I suppose I should point out that these make no pretence of being historically accurate in their actual execution. The period in question predates true formal heraldry by rough a couple of centuries at least (depending where you put your timepoints exactly), so I'm guilty of anachronism and artistic licence at least!

Anyway, on with the artwork. I used PhotoShop to do the shadows and highlights. Since my old Iwata bought the farm I no longer have an airbrush that's up to that kind of work.

First up is the gold wyvern on red of the Earls of Wessex. This is W&N ink on Bristol board. Whilst it appears there's no evidence that the wyvern was specifically identified with Wessex at the time, its actual existence and use is definitely attested to.

Second we have the white horse on a red field, the Kentish Invicta. There's a supposition that this is derived from the banner carried by Horsa the Jute. Ink and watercolour on Bristol board.

Third and last we have a flag for the earls of Mercia. The cross of Saint Alban, yellow on blue, has a long association with Mercia, and the silver double-headed eagle was actually attributed to Leofric of Mercia in the period in question. The superimposing of the two is all my own dirty work I'm afraid. This is acrylic and ink on Bristol board.

Please feel free to copy for personal use, if you feel that the ahistoric status of these banners is something you can swallow! If not, well, the rest of my army is as historically accurate as I can make it, so as Max Malini said: "Honest to goodness, I only cheat a little!"

Enjoy!

Well, you asked for it...

To all who said nice things about the boar banner and wanted to know what else I'm working on, here's a work in progress shot of a Pictish banner.

This is (so far) coloured pencil on cartridge paper. The next stage is a great deal of knotwork, scrolls, triskeles and spirals. These will be in the borders and on the squares where the banner pole would go, as well as the tails. Inking these in is a one time only, one chance job, so I'm doing a lot practice off the original before proceeding. The knotwork will be a good deal bigger in this one than the gold scrolling on the boar banner (occupying the full width of the two separate border areas), so with a bit of luck it should really pop on the finished item. Once the knots etc are done, I'll expand the colours outwards as well.

Lots still left to do, but for now, enjoy!

Something new at last

Finally back in a working condition with my home computer.

I have finally scanned my first painted banner, ready for use.

Here it is, large as life and twice as nasty. From here it was be pasted into something like Word where the size can be altered and a second copy added in to produce the other side. Feel free to copy and use the file for your own purposes, but please don't try to sell it to anyone. This is a fairly low-resolution version, but it's still a biggish file. By the time you get it down to about 1.5 x 1 cm it probably won't matter too much.

This is largely Winsor and Newton inks on cartridge paper. I'm not unhappy with the result, but I'm pretty sure the guys at Little Big Man Studios aren't quaking in their boots quite yet! For future reference I would increase the size of the scrollwork around the sides and try to make that more contrasty. This after the effort I made to keep it small! The gold work is a gold gel pen, outlined with a Faber sepia ultra-fine graphic pen. The shading / highlight has worked reasonably well on the boar and on the banner tails, but the colour differences have disappeared a bit on the red.

I've got a couple more on the stocks at the moment but I'll refrain from scaring you with too much of my artwork for now.

Enjoy!